“Cuba was rocked by a series of anti-government street protests earlier this week. The U.S. establishment immediately hailed the events, putting its full weight behind the protestors. Yet documents suggest that Washington might be more involved in the events than it cares to publicly divulge.
As many have reported, the protests, which started on Sunday in the town of San Antonio de los Baños in the west of the island, were led and vocally supported by artists and musicians, particularly from its vibrant hip-hop scene.
“For those new to the issue of Cuba, the protests we are witnessing were started by artists, not politicians. This song ‘Patria y Vida’ powerfully explains how young Cubans feel. And its release was so impactful, you will go to jail if caught playing it in Cuba,” said Florida Senator Marco Rubio, referencing a track by rapper Yotuel.
Both NPR and The New York Times published in-depth features about the song and how it was galvanizing the movement. “The Hip-Hop Song That’s Driving Cuba’s Unprecedented Protests,” ran NPR’s headline. Yotuel himself led a sympathy demonstration in Miami.
But what these accounts did not mention was the remarkable extent to which Cuban rappers like Yotuel have been recruited by the American government in order to sow discontent in the Caribbean nation. The latest grant publications of the National Endowment for Democracy (NED) — an organization established by the Reagan administration as a front group for the CIA— show that Washington is trying to infiltrate the Cuban arts scene in order to bring about regime change. “A lot of what we do today was done covertly 25 years ago by the CIA,” NED co-founder Allen Weinstein once told The Washington Post.”
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Documents suggest that the United States might be more involved in the Cuba protests than it cares to publicly...
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