SEVEN Against Thebes is the third part of a trilogy written by one of the greatest of the Greek tragedians, Aeschylus in 467 BCE, winning first prize in competition at Dionysia. Unfortunately, only fragments of the first two plays, Laius and Oedipus and the accompanying satyr drama Sphinx remain. Based on the well-known ancient Greek myth surrounding King Oedipus of Thebes, Seven Against Thebes centers on this rivalry between Eteocles and Polynices, the two sons of Oedipus, fulfilling the curse of their father, never being able to settle their dispute and, in the end, falling by each other’s hand. As evident with his most famous work Oresteia, Aeschylus may well have been the only tragedian to treat his trilogies as a single drama. This practice is evident in Seven Against Thebes where he makes a number of references to events from the first two plays.
The only freedom that is of enduring importance is the freedom of intelligence, that is to say, freedom of observation and of judgment, exercised in behalf of purposes that are intrinsically worthwhile. The commonest mistake made about freedom is, I think, to identify it with freedom of movement, or, with the external or physical side of activity.
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John Dewey, Experience and Education (via philosophybits)
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