EDIT: This post is inclusive to ALL art forms.
Likes can only go so far for artists. Artists may exclusively upload their artwork to tumblr, or don’t have the time to use other sites and prefer tumblr over deviantART due to its simplicity, but the tagging system can make it harder to navigate. Many artists on tumblr tag with high-traffic tags or use their own tags to prevent tag clogging which eventually become lost. That’s why it’s very important to reblog an artist’s work.
I’m not trying to push you to ruin your blog’s aesthetic or something, nor am I saying that “you must absolutely reblog your favourite artist’s work or you’re trash”, all I’m saying is if you truly want to support your favourite artist, instead of just liking their posts, try to reblog them once in a while. The more reblogs they receive, the more exposure/notes/followers they may receive, and it’s just one of the easiest ways to show you care about them.
*This does not mean to reblog unsourced artwork or works reuploaded to another person’s blog without permission (re:stolen). Nor does this mean to reblog artworks without the artist’s consent, even if this case is slim.
Let’s Scare Jessica to Death will be released on Blu-ray on January 28 via Scream Factory. The 1971 horror film has been praised by the likes of Stephen King, Rod Serling, and Kim Newman.
John Hancock (Bang the Drum Slowly) directs from a script he co-wrote with Lee Kalcheim (All in the Family). Zohra Lampert, Barton Heyman, Kevin O'Connor, Gretchen Corbett, and Mariclare Costello star.
Special features are in progress and will be announced at a later date.
Last year, I got invited to a super-deluxe private resort to deliver a keynote speech to what I assumed would be a hundred or so investment bankers.
…
After I arrived, I was ushered into what I thought was the green room. But instead of being wired with a microphone or taken to a stage, I just sat there at a plain round table as my audience was brought to me: five super-wealthy guys — yes, all men — from the upper echelon of the hedge fund world. After a bit of small talk, I realized they had no interest in the information I had prepared about the future of technology.
They had come with questions of their own.They started out innocuously enough. Ethereum or bitcoin? Is quantum computing a real thing? Slowly but surely, however, they edged into their real topics of concern.Which region will be less impacted by the coming climate crisis: New Zealand or Alaska? Is Google really building Ray Kurzweil a home for his brain, and will his consciousness live through the transition, or will it die and be reborn as a whole new one? Finally, the CEO of a brokerage house explained that he had nearly completed building his own underground bunker system and asked, “How do I maintain authority over my security force after the event?”
rich people are fucking terrifying
The Event. That was their euphemism for the environmental collapse, social unrest, nuclear explosion, unstoppable virus, or Mr. Robot hack that takes everything down.
This single question occupied us for the rest of the hour. They knew armed guards would be required to protect their compounds from the angry mobs. But how would they pay the guards once money was worthless? What would stop the guards from choosing their own leader? The billionaires considered using special combination locks on the food supply that only they knew. Or making guards wear disciplinary collars of some kind in return for their survival. Or maybe building robots to serve as guards and workers — if that technology could be developed in time.
eat the rich before they eat the rest of us
Statue of Amenhotep II
In this statue, King Amenhotep II is shown kneeling in a pose of worship, offering two Nu vases for libation to Amun-Re. His body is well modeled with defined muscles. He wears the royal nemes headdress, surmounted by the uraeus, or royal cobra.
Granite, from the Temple of Amun at Karnak. New Kingdom, 18th Dynasty, reign of Amenhotep II, ca. 1427-1401 BC. Now in the Egyptian Museum of Turin. Cat. 1375
