Radio Blue Heart is on the air!
egypt-museum:
“ Painting of the God Horus Horus, god of kingship, the sun, and the sky. Detail of a wall painting from the Tomb of Horemheb (KV57). New Kingdom, 18th Dynasty, ca. 1306-1292 BC. Valley of the Kings, West Thebes.
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egypt-museum:

Painting of the God Horus

Horus, god of kingship, the sun, and the sky. Detail of a wall painting from the Tomb of Horemheb (KV57). New Kingdom, 18th Dynasty, ca. 1306-1292 BC. Valley of the Kings, West Thebes.

egypt-museum:
“ Relief of Sekhmet  Bas relief of the warrior goddess Sekhmet with head of a lioness and a solar disk and uraeus above her head, detail of a wall carving in the Temple of Hathor at Dendera.
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egypt-museum:

Relief of Sekhmet

Bas relief of the warrior goddess Sekhmet with head of a lioness and a solar disk and uraeus above her head, detail of a wall carving in the Temple of Hathor at Dendera.

fatehbaz:

Listen to activist Marilyn James discuss Sinixt/Native storytelling, caribou of the rainforest, and extinction in the Inland Northwest, from June 2019: ‘Marilyn James and Kootenay Co-op Radio have won the 2019 Neskie Manuel Award for Aboriginal Affairs and Cultural Programming for the “In the Shadow of Extinction” episode of Sinixt Stories: Ancestral Roots, Cultural Seeds program. The award is given annually by the National Campus and Community Radio Association (NCRA) for a radio shows or individual radio segment by, for, or about Indigenous people.’ [x]

Excerpts from series producer Catherine Fisher’s summary of this episode:

“In the Shadow of Extinction” was recorded and produced at Kootenay Co-op Radio by Catherine Fisher, a member of the Blood of Life Collective. The Collective has been working on numerous projects from recordings of traditional and contemporary Sinixt stories told by Sinixt knowledge-keepers Marilyn James and Taress Alexis.

“In the Shadow of Extinction” is based on a contemporary story told to Marilyn James by her relative, Ambrose Adolph, about his experiences with caribou in the Sinixt tum'xula7xw (traditional territory) in the 1930s and then after his return from World War 2. The episode also features information about the plight of the caribou herds in the Sinixt tum'xula7xw currently.

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1) The endangered southern mountain caribou - a unique ecotype of woodland caribou - which rely on the inland temperate rainforest and live almost exclusively on Sinixt and Kutenai traditional land. Photo by BC provincial government. 2) Cedar-hemlock temperate rainforest on Sinixt land. Photo by Tourism Revelstroke. 3) Sinixt activist and storyteller Marilyn James. Photo by Catherine Fisher.

In the episode Marilyn notes, “As settlers began settling the area, like Ambrose said, open spaces were dissected by fences and fields. It becomes critical for the survival of migratory animals for settlers and people to make way for those travel corridors, but that was never considered… Now, the caribou are like the Sinixt, they’re just a shadow of the landscape - you don’t see them, and when you do see them it’s kind of a vision because they’re so rare. And it was such a natural aspect to this landscape in the past.”

“As many people are aware,” says Blood of Life Collective member K.L. Kivi, “the South Selkirk and South Purcell caribou herds were extirpated this past year and the Central Selkirk herd is down to about 25 individuals. What many people don’t realize is that pre-contact, the caribou lived here in the hundreds of thousands and were a main food source for the Sinixt people.”

Incidental music in the episode by permission of Kathleen Yearwood, Voice of the Turtle Records. kathleenyearwoodordeal.bandcamp.com/

Podcasts of Sinixt Stories: Ancestral Roots, Cultural Seeds are available on the Kootenay Co-op Radio website www.kootenaycoopradio.com/sinixt-stories/.

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This episode of the podcast is available here.

stereofeathers:

What I expected moving to texas: oh hm, cowboy boot… steak..,? the ole’ prairie. youve been invited to,come lasso a tumbleweed,! ‘howdy there sherriff’ as a tramp stamp tattoo. Sweet teA hp potion… country girls make do

What I got when I moved to texas: i cant really leave the house bc theres about 20-30 of these big blue crabs that came up from their underground tunnels bc of the wet and rainy weather all standing on the patio having a fucking clawnference meeting

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odinsblog:

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I feel so bad for this translator. She has to translate and then try to make sense of Trump’s nonsensical gibberish, and she has to do it in real time.

odinsblog:

opisaterf:

odinsblog:

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Does anyone else remember Brett Kavanaugh throwing one childish mantrum™ after another during his confirmation hearings? But yeah, sure, please keep telling me how AOC is the “emotional” one.

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Republicans: Crying for others who are suffering is a sign of weakness and instability, but crying for yourself? That shows real character.

I’ll take a woman crying because she genuinely cares about something bad happening over a bunch of old white men’s stoicism any day

You know how in the movies, there’s always that one scene, when the bad guy says to the hero, “Oh, you care about the weak and the innocent? That is your weakness and it’s why I will win.”? That’s how cartoonishly evil conservatives are. They genuinely believe that showing compassion and empathy for others, they think that’s a character flaw.

JFC. Republicans are evil.

I mean, Evil.

i-hate-chick-fil-a:

Some think my number was hyperbole, it’s not here’s the source

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https://www.cnbc.com/2019/01/18/new-york-city-has-more-millionaires-than-any-other-city-in-the-world.html

Spending Hundreds of thousands of tax dollars to catch people committing $3 crimes. So that tax payers can pay millions to put them through the legal system and eventually jail them<<<<<<<<<<

amishfighterpilot:
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