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(via Throne of Blood: Shakespeare Transposed | The Current | The Criterion Collection)
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The parallel Kurosawa intuited and explored was with the century of civil war in medieval Japan. Following the Onin War, which lasted from 1467 to 1477 and laid waste to the imperial city of Kyoto, the nation entered this prolonged time of turmoil, the Sengoku Jidai (the Age of the Country at War), which was marked by internecine conflicts among rival clans, the absence of a central political power, and the kind of treachery, prevarication, and murder that Kurosawa dramatizes in Throne of Blood. Warlords violently seized domains, murdered trusted associates, and were killed in turn by their vassals. Washizu (Toshiro Mifune) may enact a story whose outlines are those of Macbeth, but he personifies elements of the historical spirit of his own age.…
(Source: criterion.com)
[video]
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I am a convinced advocate of economic and social equality because I know that, without it, liberty, justice, human dignity, morality, and the well-being of individuals, as well as the prosperity of nations, will never amount to more than a pack of lies. — Mikhail Bakunin, “The Paris Commune and the Idea of the State” (via philosophybits)
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