Radio Blue Heart is on the air!

Jan 19

(via poison-little-bitch)

republicansaredomesticterrorists:

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amare-habeo:
“So-called “Devil in the glass”, 1-st half of the 17-th century
Glass, metal, 6.6 x 3.5 cm
Kunsthistorisches Museum Vienna, Austria
”

amare-habeo:

So-called “Devil in the glass”, 1-st half of the 17-th century

Glass, metal, 6.6 x 3.5 cm

Kunsthistorisches Museum Vienna, Austria

(via draculasdaughter)

cavernario-galindo:

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(via upto18)

comominimo:

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(via jerseydevil13-13)

[video]

[video]

(via tenaflyviper)

ultrafacts:
“Source: [x]
Click HERE for more facts!”

ultrafacts:

Source: [x]

Click HERE for more facts!

(via ultrafacts)

sweetnessfollowsmp3:

wonderfulworldofmichaelford:

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Stellan Skarsgård gives the only good answer to the world’s most tired question

[Image Description: A screenshot of a news article about an interview with Stellan Skarsgård.

The interviewer asks: “What is your take on the criticism of superheromovies by directors such as Martin Scorsese and Ridley Scott?”

Skarsgård responds: “I’ve got nothing against superhero movies. I’ve been in a couple and they definitely have a place. The problem is that the system that allows eight people to own half of the wealth in the world enhances the power of the market forces, so small and independent cinemas rarely exist any more outside a few big cities. There’s no distribution channels for all the mid-budget films that have the best actors, the best writing, because they can’t throw up $3m for a marketing campaign. When cinemas let them in, they do so for one week and if it doesn’t pay off in a week, they’re gone.

Remember that The Godfather first opened in 100 cinemas in the United States - big films now open in 4,000. They had small ads in the New York Times, but it grew and grew because it was such a good film. The people’s opinion has no chance any more. And that is sad.

I think that we should have Marvel films and more rollercoaster films. We should have other films, too. And that’s the sad thing: when raw market forces come in, studios start being run by companies that don’t care if they’re dealing in films or toothpaste so long as they get their 10% [return]. When AT&T took over Time Warner, it immediately told HBO to become lighter and more commercial. They were always making money. But not enough for an investor.”

End Image Description]

(via tenaflyviper)