What the coup against Evo Morales means to indigenous people like me -
The indigenous-socialist project accomplished what neoliberalism has repeatedly failed to do: redistribute wealth to society’s poorest sectors and uplift those most marginalized. Under Evo and MAS leadership, Bolivia liberated itself as a resource colony. Before the coup, Evo attempted to nationalize its large lithium reserves, an element necessary for electric cars. Since the coup, Tesla’s stocks have skyrocketed. Bolivia rebuked imperialist states like the United States and Canada by taking the path of resource nationalism to redistribute profits across society.
This was Evo’s crime.
“My sin was being indigenous, leftist, and anti-imperialist,” Evo said after being coerced into resigning this week.
His replacement, Jeanine Añez Chávez, agreed. “I dream of a Bolivia free of satanic indigenous rites,” the opposition senator tweeted in 2013, “the city is not for the Indians who should stay in the highlands or the Chaco!!!” After Evo’s departure, Chavez declared herself interim president while holding up a large bible, though she failed to get the required quorum in the senate to do so.
Next to her stood Luis Fernando Camacho, a member of the Christian far-right. After Evo’s resignation, Camacho stormed the presidential palace, a flag in one hand and a bible in the other. “The bible is returning to the government palace,” a pastor said on a video while standing next to Camacho. “Pachamama will never return. Today Christ is returning to the Government Palace. Bolivia is for Christ.”
In places where the opposition is strongest, Wiphala flags, symbols of indigenous pride, were lowered and burned. Police officers cut the flags from their uniforms. What were symbolic acts quickly escalated into street-level violence.
MAS members’ houses were burned. Evo’s home was ransacked. Masked armed men began rounding up suspected MAS supporters and indigenous people in the streets, loading them into the back of trucks. A handful of protesters have been killed.
(via justsomeantifas)
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(Source: theguardian.com, via merelygifted)
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“Phantom of Death” (1988), directed by Ruggero Deodato